Yesterday I was at the Guggenheim Bilbao experiencing Richard Serra’s Exhibition The matter of Time. The forms are strong and imposing, allowing us to feel and experience space in a new way. What was unexpected, to me, is the way the forms are delicate and subtil, despite their rough appearance.
Serra discovered what is now known as his sculptural language, when, one day, he got annoyed with his own creations ( which at the time consisted mainly of abstract paintings) and threw them all away, burning them to ashes by a river. It was his way of setting himself free (free from pre-conceptions, judgments, expectations and many other conditions). From then on he began to ‘play’ with forms in space.
” I think if you want to make art, at some point you have to suspend judgment, and you have to involve yourself with play and not worry about the outcome.” Richard Serra